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from the group: Collotype

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Pre-photographic

Photomechanical

Photographic

Albumen
Ambrotype
Bromoil
Bromoil Transfer
Carbon
Carbro
Chromogenic
Collodion POP
Cyanotype
Daguerreotype
Direct Carbon (Fresson)
Dye Imbibition
Gelatin Dry Plate
Gelatin POP
Gum Dichromate
Instant (Diffusion Transfer)
Instant (Dye Diffusion Transfer)
Instant (Internal Dye Diffusion Transfer)
Matte Collodion
Platinum
Salted Paper
Screen Plate
Silver Dye Bleach
Silver Gelatin DOP
Tintype
Wet Plate Collodion

Digital

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Notes on this view:

In the early 1880s Friedrich Carl Hoesch invented a new method for making color collotypes called Hoeschotypes. Often utilized to reproduce paintings, the process used only five colors: yellow, red, blue, gray, and black, which could be combined to make over 1,600 shades. These early color collotypes were made in a similar manner as chromolithographs (color lithographs).

First the painting was photographed and the negative printed. Using a specially made color scale as a reference, an artist would use a wash of grey ink to mark up the print where there ought to be yellow and in the proper density corresponding to the painting. Where there was an absence of yellow, an opaque white paint was used. This print was then photographed and the negative printed onto a glass plate coated with dichromated gelatin. After processing in the collotype manner, the plate was inked with yellow ink and printed. This process was repeated for the other colors which were all printed in register on a single sheet of paper producing a color image. By the end of the 19th century color collotypes were made following color photographic theory using three subtractive primary colors and color separations.