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from the group: Matte Collodion

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Pre-photographic

Intaglio
Planographic
Relief

Photomechanical

Collotype
Letterpress
Offset Lithography
Photogravure
Rotogravure
Woodburytype

Photographic

Albumen
Ambrotype
Bromoil
Bromoil Transfer
Carbon
Carbro
Chromogenic
Collodion POP
Cyanotype
Daguerreotype
Direct Carbon (Fresson)
Dye Imbibition
Gelatin Dry Plate
Gelatin POP
Gum Dichromate
Instant (Diffusion Transfer)
Instant (Dye Diffusion Transfer)
Instant (Internal Dye Diffusion Transfer)
Matte Collodion
Platinum
Salted Paper
Screen Plate
Silver Dye Bleach
Silver Gelatin DOP
Tintype
Wet Plate Collodion

Digital

Electrophotography
Inkjet
Thermal

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Notes on this view:

Notice the warm, olive-brown image color of this photograph. This was achieved by toning the print in both gold and platinum. Double toning with these noble metals was common practice for matte collodion prints and could produce a wide variety of tones, ranging from neutral purples to warm olive-blacks or browns. In this case, the warm, olive-brown hue was likely attained by using more platinum than gold during the toning process. The final print color of a matte collodion print is dependent on toner formula and length of time in the toning bath. The process ultimately tried to mimic the qualities of the more expensive platinum print process.